Showing posts with label Thanh. Show all posts
Showing posts with label Thanh. Show all posts

Tuesday, January 25, 2011

The island of god

Tourists take a boat along the canal in the Mekong Delta - Photo: My Tran
The rivers and channels of the amazing Mekong Delta contain many islands that are interesting to visit. The richly fertile island of Cu Lao May, or May Islet in Vinh Long Province is also known as the land of God.

To get there, take a ferry from Tra On Market for VND1,000. Xe om (motorbike taxi) are also available for VND2,000. The islet, which was formerly named Luc Si Thanh Island, located in Tra On District, covers about 4,000 hectares.

Once on the island explore the orchards of oranges, pomelo, rambutan and star apples by hired bicycle or motorbike. Tourists can also visit the rice paper making village and see how the paper that is wrapped around so many delicious Vietnamese rolls is made.

Hau Thanh Temple on the island is where King Tu Duc conferred the title of Hoang Thanh Bon Canh (The land of god) in 1852. The quiet temple is surrounded by trees. In the lunar fourth month every year, there is a traditional festival at the temple which attracts many pilgrims and visitors.

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Saturday, November 27, 2010

Artists respond to sacrifices of the oldest sister

The birds in this three panel painting by Hoang Cong Minh represent freedom at different stages of the older sister’s life - Photo: My Tran
A group exhibition at San Art that opened last night reveals how a brother views the sacrifice of the oldest sister in a traditional Vietnamese family.

The show named after a 1980’s song, Chi Toi (My eldest sister) features paintings, installations and conceptual art from 10 male artists. Next month women artists will present their point of view on Chi Toi.

The artists in the show are Nguyen Xuan Nguyen, Mai Thanh Nam, Le Dinh Chung, Le Nhat Thanh, Nguyen Thanh Lan, Hoang Cong Minh, Pham Tran Viet Nam, Le Nguyen Chinh, Do Thanh Lang and Truong Cong Tung.

The song that is popular on radio and Karaoke bars talks about the familial duties and love of the eldest sister, who often never marries and never has a family of her own, as she takes the role of a surrogate mother for her siblings.

Mai Thanh Nam’s piece is a three dimensional collage of small  photographic portraits, blurred to depict movement in his pursuit of fun. He enjoys himself both inside and outside the framework that is set by his sister.

A small glass installation by Nguyen Xuan Nguyen on the floor of the gallery as you enter is a powerful commentary on the strict morals meant to guide women in this country.

The gallery assistant Le Xuan Hong Nhung said the piece, which is made of small squares of glass stacked like bricks, is a village-well that represents how easy and dangerous it is to break the rules and moral codes for women. An areca fruit that is a traditional fruit used in marriage customs sits at the bottom of well, lit by diffracted light from the sharp pieces of glass surrounding it.

All of the pieces show the loneliness and unfulfilled dreams that the male artists sense in their older sister.

The show will run at San Art Gallery at 3 Me Linh St, Binh Thanh District until Dec.4. The second part of the exhibition featuring female artists will open Dec.16.

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Friday, September 17, 2010

Saigontourist Mid-Autumn dinner deals

A buffet program at Van Thanh Tourist Area in HCMC’s Binh Thanh District - Photo: Courtesy of Saigontourist
Saigontourist has dinner specials at the following venues for the Mid-Autumn festival.

Van Thanh Tourist Area (48/10 Dien Bien Phu Street, Binh Thanh District, tel: 3512 3025)

A buffet program for children will take place from 4:30 p.m. to 8:30 p.m. on September 21 and 22. The buffet will feature over 35 dishes such as fried shrimp rolled in flour, grilled chicken wings and snail steamed with banana and beans. Kids can enjoy folk games, puppet shows and circus performances and walk in a lantern parade with Moon Fairy and Moon Boy.

Tickets are priced at VND190,000 per adult and VND120,000 per child.

Tan Cang Tourist Area (A100 Ung Van Khiem Street, Binh Thanh District, tel: 3512 8775)

A grilled hot pot buffet will open everyday from 5 p.m. in the garden area. The buffet has 80 grill, hot pot and seafood dishes with salads, fruit, cakes, ice-cream, fruit juices and drinks. Enjoy music by violin, guitar and flamenco players and games for children.

Tickets are priced at VND250,000 per adult and VND140,000 per child, and are discounted 30% for September 21. On the Monday night, the program is free for children accompanied by their parents. Each ticket includes one jug of Fifth Ocean Russian draught beer.

De Nhat Restaurant (18 Hoang Viet Street, Tan Binh District, tel: 3844 1199)

Children at the hotel’s First Grill Restaurant can join a lantern parade for kids, listen to legends, laugh at the water puppet shows and circus and join lucky draws. Children will receive photos, Givral moon cake, Monterosa ice-cream and many gifts from the Monterosa brand from Pham Nam Company and Sacombank.

Central Restaurant (177-179 Le Thanh Ton Street, District 1, tel: 6291 7977)

The restaurant will host a buffet accompanied with circus and juggling shows. Tickets are VND299,000 per adult and VND199,000 per child.

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Thursday, September 16, 2010

Thanh Hoa to build mini Lam Kinh with VND114 bil.

The construction of a mini version of VND114.8 billion Lam Kinh Historical Relic in Xuan Lam Commune has been approved by authorities in Thanh Hoa Province, reports VietnamPlus.

The project will mark the 1,000th anniversary of Thang Long-Hanoi.

Over the next five years, the sanctum area of the original Lam Kinh will also be restored to its former beauty during Le Trung Hung and Le dynasties.

The restoration will use precious wood and meticulous carvings of dragon images and patterns.

For nearly 600 years, Lam Kinh historical relic has been synonymous with national hero Le Loi, the leader of the resounding Lam Son uprising. Construction of Lam King began in 1433, immediately following the death of King Le Thai To, the first ruler of the Le Dynasty. Building a second capital, with monuments and mausoleums in Lam Son strengthened the loyalty of the people to the King and the reigning family.

Along with mausoleums, the Le Dynasty also built three temples in Lam Kinh. The Wind and Cloud temple was used to pray for favorable weather for the harvests. The second was for Society, where wishes for a wealthy life were made. The third, South Communion, was where Kings reported and expressed their gratitude to the heavens.

Through the changing times, the relics of Lam Kinh tell the history of Vietnam.

Wars and time have destroyed most of the magnificent architecture. The only things that can remind us of the splendor of the former capital are the moss grown terraces and stone pillars.

The project hopes to honor the significance of the sanctuary, making it a tourist attraction and festival site.

This year, the Department of Culture, Sports and Tourism will collaborate with local authorities to host Lam Kinh Festival on September 28-30 to mark 592 years since the Lam Son Revolution, 582 years since Le Thai To’s enthronement, and 577 years since the death of Le Loi King.

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Thanh Hoa to build mini Lam Kinh with VND114 bil.

The construction of a mini version of VND114.8 billion Lam Kinh Historical Relic in Xuan Lam Commune has been approved by authorities in Thanh Hoa Province, reports VietnamPlus.

The project will mark the 1,000th anniversary of Thang Long-Hanoi.

Over the next five years, the sanctum area of the original Lam Kinh will also be restored to its former beauty during Le Trung Hung and Le dynasties.

The restoration will use precious wood and meticulous carvings of dragon images and patterns.

For nearly 600 years, Lam Kinh historical relic has been synonymous with national hero Le Loi, the leader of the resounding Lam Son uprising. Construction of Lam King began in 1433, immediately following the death of King Le Thai To, the first ruler of the Le Dynasty. Building a second capital, with monuments and mausoleums in Lam Son strengthened the loyalty of the people to the King and the reigning family.

Along with mausoleums, the Le Dynasty also built three temples in Lam Kinh. The Wind and Cloud temple was used to pray for favorable weather for the harvests. The second was for Society, where wishes for a wealthy life were made. The third, South Communion, was where Kings reported and expressed their gratitude to the heavens.

Through the changing times, the relics of Lam Kinh tell the history of Vietnam.

Wars and time have destroyed most of the magnificent architecture. The only things that can remind us of the splendor of the former capital are the moss grown terraces and stone pillars.

The project hopes to honor the significance of the sanctuary, making it a tourist attraction and festival site.

This year, the Department of Culture, Sports and Tourism will collaborate with local authorities to host Lam Kinh Festival on September 28-30 to mark 592 years since the Lam Son Revolution, 582 years since Le Thai To’s enthronement, and 577 years since the death of Le Loi King.

Related Articles

Wednesday, September 15, 2010

Thanh Hoa to build mini Lam Kinh with VND114 bil.

The construction of a mini version of VND114.8 billion Lam Kinh Historical Relic in Xuan Lam Commune has been approved by authorities in Thanh Hoa Province, reports VietnamPlus.

The project will mark the 1,000th anniversary of Thang Long-Hanoi.

Over the next five years, the sanctum area of the original Lam Kinh will also be restored to its former beauty during Le Trung Hung and Le dynasties.

The restoration will use precious wood and meticulous carvings of dragon images and patterns.

For nearly 600 years, Lam Kinh historical relic has been synonymous with national hero Le Loi, the leader of the resounding Lam Son uprising. Construction of Lam King began in 1433, immediately following the death of King Le Thai To, the first ruler of the Le Dynasty. Building a second capital, with monuments and mausoleums in Lam Son strengthened the loyalty of the people to the King and the reigning family.

Along with mausoleums, the Le Dynasty also built three temples in Lam Kinh. The Wind and Cloud temple was used to pray for favorable weather for the harvests. The second was for Society, where wishes for a wealthy life were made. The third, South Communion, was where Kings reported and expressed their gratitude to the heavens.

Through the changing times, the relics of Lam Kinh tell the history of Vietnam.

Wars and time have destroyed most of the magnificent architecture. The only things that can remind us of the splendor of the former capital are the moss grown terraces and stone pillars.

The project hopes to honor the significance of the sanctuary, making it a tourist attraction and festival site.

This year, the Department of Culture, Sports and Tourism will collaborate with local authorities to host Lam Kinh Festival on September 28-30 to mark 592 years since the Lam Son Revolution, 582 years since Le Thai To’s enthronement, and 577 years since the death of Le Loi King.

Related Articles

Thanh Hoa to build mini Lam Kinh with VND114 bil.

The construction of a mini version of VND114.8 billion Lam Kinh Historical Relic in Xuan Lam Commune has been approved by authorities in Thanh Hoa Province, reports VietnamPlus.

The project will mark the 1,000th anniversary of Thang Long-Hanoi.

Over the next five years, the sanctum area of the original Lam Kinh will also be restored to its former beauty during Le Trung Hung and Le dynasties.

The restoration will use precious wood and meticulous carvings of dragon images and patterns.

For nearly 600 years, Lam Kinh historical relic has been synonymous with national hero Le Loi, the leader of the resounding Lam Son uprising. Construction of Lam King began in 1433, immediately following the death of King Le Thai To, the first ruler of the Le Dynasty. Building a second capital, with monuments and mausoleums in Lam Son strengthened the loyalty of the people to the King and the reigning family.

Along with mausoleums, the Le Dynasty also built three temples in Lam Kinh. The Wind and Cloud temple was used to pray for favorable weather for the harvests. The second was for Society, where wishes for a wealthy life were made. The third, South Communion, was where Kings reported and expressed their gratitude to the heavens.

Through the changing times, the relics of Lam Kinh tell the history of Vietnam.

Wars and time have destroyed most of the magnificent architecture. The only things that can remind us of the splendor of the former capital are the moss grown terraces and stone pillars.

The project hopes to honor the significance of the sanctuary, making it a tourist attraction and festival site.

This year, the Department of Culture, Sports and Tourism will collaborate with local authorities to host Lam Kinh Festival on September 28-30 to mark 592 years since the Lam Son Revolution, 582 years since Le Thai To’s enthronement, and 577 years since the death of Le Loi King.

Related Articles

Monday, August 30, 2010

The chè lady

The best dessert in Ho Chi Minh City is being ladled up on a street corner



Ms. Thanh preparing chè đậu at her spot near the corner of Cao Ba Nha and Cong Quynh streets in Ho Chi Minh City’s District 1

Thanh, 50, lives in an endless cycle of chè.

Every night, before going to bed, she starts soaking the beans and glutinous rice for tomorrow’s batch. Up at 3 a.m., she begins boiling pot after pot of the subtly sweet, bean-based dessert.

By nine, she hires a man to help her haul her low red stools, washing buckets and serving bowls to her little corner on Cong Quynh and Cao Ba Nha streets in District 1. The operation takes two trips. The xe om (motorbike taxi) driver doesn’t seem to mind. And no one has ever bothered to steal her dented aluminum vessels filled with sticky rice and sweet coconut soup.

“They’re very heavy,” she said.

Thanh cracks on a coal fire and begins simmering the dessert just as the streets fill with throngs of motorbikes and mini-trucks. By 11 a.m., she is open for business. For the remainder of the day, she navigates between the pots like an octopus – ladling coconut milk soup on top of wads of rice on top of more soup.

She moves in fluid sweeps of her hands and arms. Occasionally, she rises to tend her fire, or to lift a shopping bag hanging off the rusty coils of barbed wire behind her and dump a mass of cubed taro, manioc or sweet potato into the pale sweet broth.

The motions follow a sort of flawless pattern, one that has been practiced seven days per week for some 30 years. Thanh hardly ever takes a day off and she only goes home when she has sold off every last scoop of chè. This may happen as early as 4 p.m. Don’t expect to find her after 6 or 7 p.m.

Once home, she usually eats half a bowl of rice and is in bed by 9 p.m.

In her free moments on the corner, when she is not being harried by customers, she uses an open-bottomed cup to fill clear plastic baggies with the various desserts. When customers sidle up on motorbikes, she twists a rubber band quickly around the baggies and hands them over with a grin.

She doesn’t eat her own concoctions. Instead, she lunches on a cup of tepid winter melon soup. Some days, she says, she doesn’t get around to eating it.

Thanh has an excellent stomach, she swears, and it tolerates whatever she chooses to eat or not eat.

She used to make many varieties of chè, but she is getting old, she says. So, now, there are just five – all of which are slathered in her frothy coconut broth. Chè khoai combines al dente bits of purple taro in a gummy sticky rice porridge. Chè táo xọn consists of a clear tapioca gel studded with green lentils while chè bắp eats like some sort of condensed creamed corn. Chè bà ba simmers bright orange chunks of cassava and chewy translucent tapioca cubes in a lighter version of the coconut base. She serves it with a spoonful of boiled peanuts.

Thanh says that even if we watched her make her chè đậu, we still wouldn’t know how to cook the white cow beans without turning them to mush. They are perfectly firm as your teeth sink into the glutinous mass of sticky rice swimming in the creamy coconut soup.

Chè đậu has a familiar feel in the mouth, not unlike Christmas cookie dough, though all of Thanh’s concoctions maintain a subtle flavor that can’t be found in most western sweets. She is selling comfort food – simple, gooey – with a soft homey flavor that can only be likened to the taste of carrot soups.

Even though her little spot is located on a neat stretch of sidewalk under a striped awning, she wears a conical famer’s hat on top of her tidy hair bun. On two separate visits, she wore a long-sleeved sweater – even in the stifling midday heat.

One day she forgot the items. She looked down to see her arms covered in grime. When she ran a hand through her hair, it came away caked in dust and dirt.

“I was so ashamed,” she said as she deftly moved between her pots. “I worried my customers would think I wasn’t clean. But it wasn’t me. It’s the dirty street.”

Over the years, Thanh has cultivated a certain amnesia about this corner that, she says, keeps her sane. She has seen many strange things in her days there. “But I don’t want to keep them all,” she says. “So the following day, I just let them pass.”

In the past three decades, Thanh has remained one of the few constants on this stretch of Cong Quynh.

She estimates that 70 percent of the families sold their homes and moved away since her mother started selling chè here before her.

“It used to be small homes,” she says. “Now I’m surrounded by palaces.”

Those that bought into the neighborhood knocked down the old homes to build bigger ones. While the value of the buildings around her has shot up several million dollars, Thanh’s treats remain an immutable bargain.

Three years ago, she had to move her operation across the street because a new restaurant opened up behind her. Last year, she raised her prices from VND3,000 to VND4,000 (15 to 20 US cents) per bowl.

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